Sunday, 12 March 2017

The Uncanny Resemblance Of Darwin's Theory Of Evolution With Vishnu's 10 Avatars Will Raise Your Eyebrows!

Looks like Indian mythology is more than just a myth. It is rooted in logic and science. The other day while I was reading up more on the intriguing avatars of Lord Vishnu, the biology lover inside me yelped in excitement. To me, they resembled more like Darwin’s Theory Of Evolution, only given 1000 of years before.



Darwin's Theory of Evolution states that human beings have descended from a common ancestor. This means complex living beings have evolved from simplistic creatures like fish, amphibians, reptiles etc. naturally over time. Owing to genetic mutations, the beneficial mutations are preserved because they aid survival. This is called 'natural selection.'
 
In a nutshell, Darwin's theory says that life first emerged in water. Gradually, amphibians arrived who could survive both on land as well as in water. This, the process continued to become more complex with the evolution of mammals. Slowly, one species of apes evolved to stand on two feet rather than walking on four limbs. The earliest of humans were short in height, and gradually became taller with time.
 
Now let us compare this with different avatars of Lord Vishnu.
 
First avatar: Matsya or Fish
Lord Vishnu's first avatar on Earth was in the form of a fish during the Satyug. According to Darwin, life first originated in water and then moved to land.

Second avatar: Kurma or Turtle
This incarnation of Vishnu can be compared with the organisms advancing to amphibians. A turtle can survive both on land and in water.


Third avatar: Varaha or Boar
Boar is a mammal that lives on land and walks on all four limbs. In this avatar, Lord Vishnu slayed the demon Hiranyaksha.

This avatar suggests that advanced life is terrestrial and quadruped.

Fourth avatar: Narasimha
Now, this avatar of Vishnu is half animal and half human, suggesting the natural course of evolution that would give rise to human race.

Fifth avatar: Vamana or Dwarf
This was the first incarnation of Lord Vishnu as a human being. This happened in the Treta yuga. Vamana was small built, with short limbs and body.

Sixth avatar: Parshuram
This avatar of Lord Vishnu is a full grown man, but he is ferocious in nature, lives in wild, and leads a secluded life. He can be compared to an early man. This signifies that although man has evolved now, his qualities are not refined yet. 

Seventh avatar: Lord Rama
In this avatar, Lord Vishnu incarnates as human with refined manners and emotions. Lord Rama is a family man, has wife and kids. As the king of Ayodhaya, he is 'maryada purushotam' and straight-forward in giving judgment.

Eighth avatar: Lord Krishna
This avatar of Lord Vishnu came in Dwapar yug. Now, Lord Krishna is shrewd and clever minded. He does not hesitate in playing tricks on people or double-crossing them when it comes to making war strategies. He is diplomatic rather than an idealist. This shows mental evolution of human beings.

Ninth avatar: Buddha
Some religious texts consider Buddha as the ninth avatar of Lord Vishnu. He propagates peace in a world where violence is slowly taking roots. Totally relevant to what is happening in present times!

Tenth avatar: Kalki
Kalki is touted to be the last avatar of Vishnu, who would appear to restore order and dharma in the world. 
Interestingly, some features of this avatar are stated in Bhagwad Geeta. Let’s see what he would look like:

He will be short in height, with a pot belly, curly hair and piercing sharp eyes. His face and lips will at times be of the color copper, black, yellow and rose. His feet will look like that of a young woman.

To read this article in detail and know how the FUTURE MAN WILL LOOK LIKE, click here.

Sunday, 8 March 2015


TOP 5 Female Centric Movies that always liberate me!

“Empty and dark shall I raise my lantern.
And the guardian of the night shall fill it with oil
And he shall light it also.”
-   Kahlil Gibran

Just replace ‘he’ with ‘she’ and you’ve got my mantra of life. When things go wrong, as they sometimes do, I just turn on these movies. Then somewhere along the path of escapism into celluloid, I discover the light that leads me to the end of the tunnel.

Here's my pick of top 5 

5. CHITRALEKHA
It’s a movie adaptation of the book that I sneaked out of my mother’s library. It was one of those books that I wasn’t allowed to read as a kid because of my ‘impressionable’ mind.
It was the love-story of Chandra Gupta Murya, the great Indian king of Maurya Empire and his courtesan Chitralekha. That’s what it was.
For me however, it was the story of Chitralekha- a girl who had a mind of her own in 340 BCE, India - a girl who never followed anything out of devotion, a girl who raised questions, followed logic, a dancer who dared to challenge Pundits & their isms.
For me, the most inspiring part is where a great hermit has a face- off with Chitralekha. He comes to her, insults her mannerisms, preaching her morality; she presents an elegant dance dissing his ways with a beautiful smile. 

She demands to know-
“What is a sin?
What is virtue?
Stamp of religion on traditions.
But, don’t religions change in every century?
How can you make them your ideals?”

These questions that she raised, added a prism to my vision and suddenly things weren’t about white light & darkness but an arch of rainbow colors!
This vision threshes the situation makes it naked. It sifts it free from husks of social norms, suddenly the problematic knot untangles.

4. Belle De Jour
Long before 50 Fifty Shades of Grey, there was Belle De Jour, Catherine Deneuve. I will be honest with you. I watched the movie because I HEART those Roger Vivier courts that she wears. I am a 90s child, growing up with Victoria Beckham’s knee-aching heels, idolizing Sarah Jessica Parker’s impractical stilettos, I was shocked at her choice to wear mid-heels to essay a super sensuous character. This knowledge that I don’t have to twist my ankles to be sexy appealed to me. The movie took this liberation one notch up.
It just puts female sexuality on front line. A perfect woman, with a perfect husband, embraces prostitution to fulfill her sexual desires.
The essence is not the ‘no..no..yes..Yes..God Yes. YEEEEES’, but it penetrates further. We live in a society where people wear two masks, pretend to be someone else to please others. How amazing it would be to see ourselves for who we are, how liberating it would be to come out of our repression & shed our hypocrisy?!

3. Shrek (Part 1)
If you ever meet me, you will remember me for the rest of your life- because I am a ‘Clutz’illa. I break & bang things in a super human way! Thankfully I’ve always gotten away with it because people think it’s kinda cute. But a big fear in my life was that one day I’ll stop being pretty and then people would stop being accommodating of my clumsy ways. The day beauty will go, loneliness will creep in. Princess Fiona without her magic wand liberated me of this anxiety. I don’t have to be pretty to be loved, I don’t have to be anything, I just have to be me to have my Happily Ever After.



2. Wadja
Wadja as a movie can be an incident that may create history.
It is about a girl craving for freedom. All 10-year-old Wadjda wants is a cycle; something that she won’t be able to ride when she grows into a woman.
The movie is set in Riyadh, Saudi Arabia, where women are forbidden to walk un-chaperoned or uncovered in the streets. So, the film’s director, Haifaa Al-Mansour, had to instruct her cast and crew on walkie-talkie, from inside a van! It is the first movie ever to be shot by a Saudi woman. This movie always reinforces my belief that things may not be right now, but someday they will be. But, we woman, need to act on that wish like Haifaa (the director of Wadja) did.



And, the no.1 movie that resonates with liberation is:
1   
                  Kill Bill
It’s Rambo, Rocky, Die-Heart all in one for me. What better way to lift spirits than to kick some ass. When everything else fails, there’s a solace in the fact that I am woman, I am entitled to have world at the tip of my sword, I just need to gather myself up & claim it.





Tuesday, 24 February 2015

Ignorance


She adjusted her crisp white shirt, careful to hide yesterday's love bite. It had now developed a deep purple colour. With a sweep of a hand, she gently pushed her curly tresses on one side of the neck. He was sitting across the table, smiling, watching her curls bang against her soft peach cheeks. She examined his warm expressions, wondering what to say or how to say. Afterall, she was meeting her fiance for the first time today, in six months.

Saturday, 14 February 2015

For the love of Rumi
Poems that made me surrender my Soul to Rumi


I’ve been fascinated with the Sufi saint Rumi long before he became a vogue in the West or even before film director Imtiaz Ali used his couplet as the essence of his hit movie ‘Rockstar’. 
My love for Rumi's work runs more visceral- (We also share our birthday you see!*beaming*)
Perhaps, that was one reasons why I first Googled up his work long ago, and little did I know that it would change my outlook towards life and love forever. I bow to the grandeur of his poems. This grandeur comes from his full prostration to Shams. He wants us to do the same- to surrender to love. I surrender to him. 

Here’s top 5 reasons (read Poems) why:

Rumi wrote seamlessly- his poems had no titles. So, the titles I use here come from the feelings they evoke in me.

5. Nomadic Impulses
What’s truly alive is always changing. Rumi’s wanderings are beyond fields, the moon, the sky, even sex and orgasms, they are more aware and yet, they are more free-
You’ve so distracted me,
Your absence fans my love.
Don’t ask how.
Then you come near.
                                                               “Do not…” I say, and   
“Do not…”,you answer.
Don’t ask why
This delights me.

4. Making Meera out of Me
Poetry, especially a good one, is a very tricky thing. For it gives us an illusion of experiencing emotions without having to live them. The way Rumi writes, it forces us to shudder with love in the way my Meera or his Zuliekha did-

Zuleikha let everything be the name of Joseph,
from celery seeds to aloes wood. She loved him
So much she concealed his name in many phrases,
the inner meanings known only to her…..
Any complaint, it’s his being away.
When she’s hungry, it’s for him.
Thirsty, his name is a sherbet.
Cold, he’s fur. This is what
The Friend can do when one is in such love.
When one is united to the core of another,
To speak of that is to breathe the name Hu,
Empty of self & filled with love.

3. Refuge in Silence
Close the mouth, open the eyes. The light of the divine won’t use the door, only the window. To understand Rumi’s scriptures with his advocacy of the non-verbal, it is essential to taste silence. With that taste, comes a revelation that the divine presence and refuge in love, comes in a language more experiential-
There is some kiss we want
With our whole lives, the touch
of spirit on the body. Seawater
begs the pearl to break its shell.
At night, I open the window and ask the moon to come and press its
Face against mine.
Breathe into me. Close
The language door and open the love window.
The moon won’t use the door,
only the window.

2. Miracle
It’s rare, but when heart dissolves in love, a new love builds and there are miracles all around-
The way of love is not
a subtle argument.
The door there
is devastation.
Birds make great sky-circles
of their freedom.
How do they learn that?
They fall, and falling,
they’re given wings.

      But the no.1 poem that made me surrender to Rumi is

Sublime saloon
Have you ever been absent and present at the same time? Felt sobriety that contains all drunkenness Think about it, every revision of this vision will open a new chapter for you. I can say this with confidence because it happened to me-

You bind me, and I tear away in a rage
To open out into air, a round
Brightness, a candlepoint,
All reason, all love.
This confusing joy, your doing,
This hangover, your tender thorn.
You turn to look, I turn.
I’m not saying this right.
I am a jailed crazy who ties up spirit-woman.
What goes comes baack. Come back.
We never left each other.
A disbeliever hides disbelief,
But I will say his secret.
More and more awake, getting up at night,
Spinning and falling in love with Shams.




Tuesday, 27 January 2015

Some 'nutty' stuff





On my recent trip to Vaishno Devi, we got a lot of walnut prasad. So one fine lazy Saturday morning when I had nothing better to do than watch TV and crack nuts, some creative ideas struck my mind.



                                                                                                  And off to sail....!

Baby crib


Made the baby out of marble, beads and hair with thread...









Floating diyas out of walnut shells.




Sunday, 7 December 2014

Down came the rain

He was tired of the wet, cloudy weather he was enduring ever since his stay in the new country. The smell of the damp earth just before the rain was not inviting anymore. As the clouds rumbled outside and the sky burst into tears, he laid on his back, staring up at the roof. A pearl tricked down the corner of his eyes. "Remember to find me, in those foreign drops," his beloved had said. He closed his eyes, and went to sleep.

Sunday, 16 November 2014

Learning Dancing Vocabulary

Sometime back I had an opportunity to witness Indian contemporary choreographer Padamshree Astad Deboo's performance. It was a performance-cum-lecture organized by my former teacher. Deboo stunned me with his choreography skills and use of space to communicate an array of human experience! It led me and my friends to ‘see’ things differently. Deboo challenges different forms of dance and theatre conventions in his work. Well travelled that he is, he incorporated diverse forms of dances from worldover (Martha school of dancing, Japanese form, Manipuri) and created a new genre of modern contemporary dance in India. He delivers with emotional intelligence. 

·        In ‘Rhythm Divine’, his choreography of foetus’ movement in mother’s womb exudes class and style. The movement of body can be infinite in a finite space. The drummers of Manipur lighten up the stage with acrobatic twirls in air when the foetus is ready to come out in the world!
·       Whereby one is intrigued by the whole concept, the dance is open to interpretations. Simply loved it.

Astad Deboo 


Don't walk as if you own the world, Walk as if you don't care who does!

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